Dumbo visits Dumbo

October 2, 2007

I came to DUMBO for the art last Sunday, but all I got was this quirky story:

Meet Dondi the painting elephant. Dondi is 33, 34 or 37 years old, depending on your source. She was rescued from Thai loggers at a young age, brought to the U.S., and raised by one-time trapeze performers Phil and Francine Schacht.

The D.U.M.B.O. Under The Bridge Arts Festival program promoted Dondi for her painting skills. But the elephant seems to have a lot more tricks up her trunk.

A cursory trip through google’s tubes shows Dondi has a history of performing circus stunts.

From a Circus Flora bio when Dondi was a featured performer last May:

…Dondi has appeared on the “Tonight Show” with Johnny Carson, with Bill Cosby on the “Merv Griffin Show” and with Betty White on “Circus of the Stars.” She is playful and can show behaviors that no other elephant in the world has ever learned, such as imitating a chicken, roars like a lion, gives raspberries, plays baseball and interacts positively with her human family.

Mr. Schacht told The Daily News that Dondi has been painting for a dozen years. Schacht reiterated to me after Dondi’s performance he considers the animal part of his family. “I have three boys and I treat her like a daughter,” Schacht said.

Check out his daughter’s work:

On Sunday, Schacht would dip a brush into a cans of paint and then help Dondi grasp its handle in her trunk. With a few rapid but breezy motions, Dondi lashed at the canvas Schacht held outward for the animal.

Meanwhile, local artist Nadia Fadeeva mimiced Dondi’s brush strokes on another canvas nearby. Zannah Mass from Two Trees, the development company which sponsored the festival, said at times both the elephant and the artist also collaborated on paintings.


(Nadia Fadeeva replicates Dondi’s technique)

Not everyone saw the value of Dondi’s art. Meet Brooklyn residents Shira Golding and Ari Moore :

(apologies for my horrible camera work. This was my first on-the-fly interview using an Olympus Stylus 710)

Golding and Moore had come out for the art but were disturbed by what they considered animal exploitation on display at the intersection of Main Street and Water Street. So they found some posters at a Bodega, wrote up some slogans — and made news.

(Ari Moore and Shira Golding)

“If an animal in a natural environment decided to pick up a twig and dip it in mud that would be an amazing thing,” Golding said. “That would be something to talk about and celebrate. This kind of thing is a construction.”

The protesters said they received a lot of support from people walking by. When I asked why there weren’t more people joining their protest, Moore said people “maybe don’t see the elephant as part of the community that needs our support — and they should.”

While not exactly defending Dondi’s artistic integrity, Breda Kennedy, executive director of the Dumbo Arts Center, said “I would get more upset about Guantanamo Bay.”

Kennedy said her group organized the festival to promote unknown artists. Two Trees, the development company which owns property in Dumbo and provides the arts center with free rent, asked if they could include the elephant. Kennedy said her group approved the request.

She added the combination of good weather, a media partnership with the Metropolitan Transportation Administration, and, yes, Dondi the painting elephant all drove up attendance compared to last year. “We promote totally unknown names and you only get them out through exposure,” Kennedy said.

Still, Jessica Levine, a project coordinator at the center said while organizers were happy with the larger crowd, not all members of Dumbo Arts Center were comfortable with the elephant’s presence at the festival. “My opinion is that it is exploitative,” Levine said.

Zannah Mass with Two Trees said Dondi’s performance was inspired by the work of artist Vitaly Komar, who planned to attend last weekend’s festival but suffered a family emergency. Mass said Komar founded elephant art academies in Thailand to rescue domesticated elephants that might ordinarily be put to sleep. “A brush is not that far off from a stick,” Mass said. “This isn’t abuse, this is collaboration.”

Mass said in Dondi’s case, there are other precautions the Schacht family takes to minimize the stress of traveling. For one, Dondi rides with mini-horses for company.

Phil Schacht, Dondi’s owner and handler said when on the road, the family stops every four hours for water and exercise.

This sign was visible to onlookers on Sunday too:

One of those onlookers was Kerry Cooke of Manhattan. Cooke said he brought his 4-year old son and 6-year old daughter to Dumbo because neither had ever seen an elephant up so close. “We’re elephant fans,” Cooke said. “He can just stand around. Doesn’t have to do anything.”

Speaking Of Subways…

September 28, 2007

williamsburg.jpg

Last month, I was lucky to score a ticket at the last minute to Williamsburg: The Musical. This NYC Fringe Festival production follows the trials and tribulations of a trust fund kid who moves to Brooklyn and falls in love with a Hasidic Jew. At the same time, an evil real estate agent is buying up many WBurg apartments and hypnotizing hipsters into zombies to help further gentrify the neighborhood.

Nice premise, eh?

Anyway, of the musical’s two best songs, one of them glorified craigslist hook-ups. The other was an ode to cramped quarters and leering glances at guys in tight pants and coeds with their existential tracts. In short: a ride on the L Train.

The chorus went, “WE TAKE THE L TRAIN. LA LA LA. LA LA LA!”

Speaking of the L train…

The NY Times City Room blog reported subway riders recently gave it a “C” for Cervice. Even though the line was treated to $17.6 million for information signs and audio, to strap hangers the improvements didn’t make the grade.

From MTA’s press release:

L riders gave ‘Sense of security in stations’ and ‘Sense of security on trains’ a C+ but gave ‘Adequate room on board during rush hour” a D+. ‘Signs in subway cars that help riders find their way’ received a B- as did ‘Lack of graffiti in subway cars’ and ‘Comfortable temperature in subway cars.’ But riders gave the L a C- for ‘Minimal delays during trips’ and ‘Cleanliness of Stations.’ ‘Reasonable wait times for trains scored a C.’

Read the rest of this entry »

Subway Observation

September 27, 2007

The F train’s swelter, upon entering at the Bryant Park 42nd St. stop, was worse than the usual stuffy sweatscapes one encounters in many subway stations. Steel grip poles felt like car seat warmers left on way past one’s comfort level.

Passengers’ bodies, many wrapped in work clothes, collapsed into glossy orange plastic seats after boarding. The time was a quarter after 5 p.m.; luckily the commute to Eastern Queens wasn’t a madhouse so everyone found a spot. The trade off for legroom, in this case, was crushing heat.

The train whizzed off. While someone had cracked a few windows earlier, the newfound motion didn’t provide one with much relief.

Some closed their eyes and sat with lowered heads, as if replacing the train’s yellowish fluorescent light with darkness would somehow reduce the temperature. One woman waved a Chinese fan. Still, many others on the train took a more stoic attitude. They simply stared straight ahead, but with eyes like clenched fists, riding it out.

__________________________________________________________________________ Monday, September 24, on my way to the Community Board 13 meeting

Photos from around the town

September 20, 2007

Here are a few pictures that illustrate some new principles I’ve learned.

The rule of thirds means that my photos should be framed according to plots on a grid:

kids_thirds1rug_thirds1

In the first picture some kids in Bushwick, Brooklyn are playing outside on a hot day.

The second picture shows a boss at a rug company in Times Square supervising his employees.

In these next series of photos I tried to let my surroundings frame the shot:

time_frame1mary_frame

Both of these photos are from Williamsburg, Brooklyn. The statue sits in the front yard of someone’s home.

pickleline_frame

The man on the left was giving away free pickles on Sunday, 9.16.07, in the Lower East Side in honor of International Pickle Day. That same day a man (the picture on the right) sold sausage at a street fair for Little Italy’s Feast of San Gennaro.

I also recently took some extreme close-up photos and shots that emphasized contrast:

pickles_closeup1cheese_closeups1

The close-ups are more pictures from the pickle festival; pickles and cheese.

In the photo below, I was struck by the richness of the red dress on this Williamsburg clothesline.

redshirt_contrast1

Finally, a microphone is silhouetted against a kaleidoscope of colors projected on a screen at the Bowery, in advance of Mashup performer Girl Talk’s performance on 9/15.

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P.S. I loved this shot from a church in the West Village on 9/6

.villagechurch_contrast1

-Dan

The Evite

September 12, 2007

You’re invited to the birth of Immediated:

 

 

Hi friends, I’d like to invite you all to the birth of my new blog, Immediated! This baby bit was actually born earlier this summer; the name on the official birth certificate from July 8, 2007 is danielmacht.wordpress.com.

But you know how these things go.

I’ve been such a busy single-father, having to care for the girls Twitter, Facebook, MySpace, and little YouTube. So yeah, I forgot to feed Immediated.

<gasp>

I know. I know. But it’s just a blog. That’s why I thought you’d understand.

Anyway, I really would like you to stop by and begin to develop a relationship with Immediated this year so he turns out a little less narcissistic than his brethren.

If he’s anything like Daddy, I’m sure Immediated will take an interest in politics, music, the media industry, social justice and hipsters. But I won’t force this blog into a straitjacket.

At this point, I think it’s a safe bet to conclude that the blog is a tabula rasa.

-Dan

P.S. Hope to see you next week at the bris!